My first time at Christie's
- Veronica Revuelta Garrido
- Oct 15, 2023
- 1 min read
The art market is not my thing at all, I’m not interested. Or better than that, probably I am because it bothers me. I went firstly because I wanted to see the intervention and exhibition “Transatlantic Connections” from 154 Art Fair. I also saw works with activist and migrant narratives that, somehow, felt flat…An experience that left me with more questions.
Does this establishment imprison the activist and migrant narratives? Does the artwork keep the narrative and its meaning? Does the wealthy collector resonate with that or not really? Does that person really care? Is the high-market manipulated by collectors who strategically overpay for artworks to influence the market and ensure the value of their own collections remains high?
A clear example can be Basquiat. The painting in front of me was sold for millions of pounds that evening. He always rejected the western art’s world rules, engaging in a critique of systems of racism, colonialism, and CAPITALISM.
Or there were paintings which revenue of selling will go towards the African Pavilion at the Venice Biennale next year. Collectors can do a tax relief donations easily towards this and keep the artwork for the Biennale where the narrative will resonate more towards inclusion and representation.
I have more questions but I start my holiday today and this can be a never ending conversation that I’m happy to take over when I’m back.
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